FROM TABOO TO ICON: Africanist TurnaboutIce Box Project Space
Crane Arts1400 N. American St.
Philadelphia, PA 19122
January 10, 2008 February 10, 2008
Opening Reception: Thursday, January 10, 2008 from 6-8PMReception and Curator/Artist Talk: Friday, February 1, 2008 from 6-9PM
Curators:
Sophie Sanders, PhD candidate, Art History Department, Tyler School of Art,
Temple University; MA, Slade School of Art, University College London
Shervone Neckles, MA Art Education, Columbia Teacher's College, MFA Queens
College
From Taboo to Icon: Africanist Turnabout is a part of African Impressions /
Contemporary Art, a series of symposia and events that explore modern and
contemporary art from the perspective of African influences and voices.
This exhibition presents artwork in all media that explores the concept of
Africanist aesthetics and the taboo or iconic aspect of these influences in
contemporary western culture. Contemporary artists from diverse origins
respond to the censoring, impact, and celebration of Black and African
Diaspora cultural aesthetics, which have been considered taboo in some
historical contexts and iconic in others. These artists also re-investigate
the omissions in history and contemporary American culture by questioning
appropriation and what is seen and unseen in popular culture and fine art.
From Taboo to Icon: Africanist Turnabout will transform the Ice Box gallery
into what philosopher bell hooks terms as a "Learning Community," which
invites the public to become active participants in action and reflection.
The exhibition will be engaged to think about how all forms of visual
representation have the ability to become iconic when they achieve
prominence and familiarity through frequent repetition. Some works deal with
preserving relics, memories, history, and tradition which are often
associated with the sacred and venerated, while others connect with
ancestral heritage of the African Diaspora and honor the individuals who are
often less visible in fine art contexts. A number of works in the show will
also challenge or complicate the very notion of traditional African
aesthetics in a changing global context.